Tag: concerts

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LOCAL PROFILE: Lady Sanity

Words by Jobe Baker-Sullivan / Profile pics by Kristine Lakontra

From the Birmingham Music Awards to the Commonwealth Games closing ceremony on Australia’s Golden Coast, Lady Sanity has been performing her songs across the world. With a new single coming out at the end of February, Erdington Local talked to the Birmingham-based musical artist about her Erdington roots and global ambitions.

Lady Sanity has always lived in Erdington, attending Stockland Green School for her secondary education. Despite being passionate about music from an early age, Sanity told how “I have no musicians in the family – me being a musician was a little bit of a curve ball for everyone… Although my grandfather used to take out his harmonica every now and then.”

Her family did, however, expose her to many different musical genres – encouraging the artist to embrace a variety of genres in her own music. “My cousin was showing me Hip Hop over in America. My sister was listening to bands in the UK. Another cousin was listening to Indie and Rock music… A lot of the music I was listening to were fusions of rap.” Sanity even notes Linkin Park as being an early influence.

At aged 12, Lady Sanity got a guitar from Home Bargains – bought for her by her older sister, which was a “cheap, crappy guitar with nylon strings.” Sanity was self-taught, using ‘tabs’ – a type of musical notation system.

Sanity ‘went electric’ aged 14, which was also around the time she was performing her own original music. She fondly remembers her music teacher, Mr Scott, as “very much encouraging me to rap and play guitar…. I was quite a reserved and quiet kid at school!”

Lady Sanity is one of many great musical artists to have come out of Birmingham – producing music inspired by Jazz, Hip-Hop and Grime.

Having played at many venues and events across the city, including Handsworth/Hockley based urban festival The Flyover Show and the Shard End Park hosted Shardfest, Lady Sanity’s first major festival appearance was at Glastonbury 2016.

Sanity entered into a competition called ‘Glastonbury Emerging Talent’, which although she didn’t win, she benefited from immensely: “I was picked up by other bookers to perform smaller stages of the festival – I had three different slots during the weekend. It was an amazing experience”.

She also recalls performing as part of a Hip Hop conference called ‘New Skool Rules’ in Rotterdam, Netherlands. “There were people from America, Canada, UK,” told Sanity. “Artists who came from all around the world – it’s a great weekend to really jam and connect with people.”

A crowning moment for Lady Sanity was performing at the Gold Coast Australia-Birmingham handover ceremony for the 2018 Commonwealth Games, although it came as a surprise for the young artist. 

“I was asked if I was free for a couple of days. I went down to the Hippodrome for an interview and they said they had a gig for me – the Commonwealth Games gig! That was only the second gig that me and the band played together! They offered me a house-band but I wanted to keep my own musicians.”

Covid has been adverse for many musicians, making live gigs impossible – an important source of income for a touring musician like Lady Sanity. She estimates she had some “20-30 gigs cancelled” and numerous, potential last-minute requests unaccounted for: “I finished touring with Sound UK before lockdown, and I even performed with Pee Wee Ellis – he was James Brown’s saxophonist… Some gigs were postponed – I was supposed to tour Belgium.”

Nonetheless, Lady Sanity adapted to cyberspace, performing on many livestream gigs – including one facilitated by The Sunflower Lounge which she took part in “to support this amazing venue so it can stay open”. It wasn’t as enjoyable as the live experience, but for Lady Sanity it was still “good to get out to gig, although it’s not the same as interacting with a crowd”.

But the web is indeed worldwide, and during the coronavirus lockdowns Lady Sanity has “been in contact people around the world. I’m working with an Italian power ballad singer I met over the Internet… Now is the time I can sit down and work on EPs, because I’m not up and down doing shows.”

On a personal level, Sanity also believes the lockdown has allowed her to “slow down… It’s helped me be grateful for my life and family.”

Lady Sanity is now looking forward to a year of gigs-that-should-have-happened, as well as releasing her new single, ‘Love’ – coming out at the end of February 2021.

“It’s about the different aspects of love,” explained the Erdington born and raised artist, “your family, friends, and yourself.”

For more on Lady Sanity find her on Facebook at www.facebook.com/OfficialSanity

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OPINION: Invest in live music, not the pub

Words by Jobe Baker-Sullivan / Profile pics by Chris Neophytou

Imagine if the government invested in the soul of the nation.

‘If music be the food of love, play on,’ wrote Shakespeare.

I’m talking about music. From the point of view of a musician and gigaholic.

“Music makes the world go round,” sang the Hamilton Brothers.

What I’ve witnessed over the past few months is a series of missed opportunities. ‘Hindsight is a wonderful thing, but foresight is better,’ taught William Blake.

Can we move forward from now, into the festive season, and reengage musicians? We can’t lose this precious part of our culture – live music. A lack of opportunities in the past few months has meant that brass players lips crumble, violinist fingers are stiff. All musicians – the well-behaved ones at least – are struggling.

It’s apparently too dangerous for musicians to be doing what they do, entertaining us all, bringing us all to a higher state of consciousness with harmonious sounds and that. Especially singers (yes, singers are musicians). Singing in groups is considered a ‘higher risk activity’ by the government, because of the potential for aerosol production. Don’t get me started on those pesky woodwind instruments. Ignore the hundreds of people protesting on the streets, Dominic Cummings on his roadshow of potential infection, or the big queue in Lidl – “there’s a flute player in this place! Shoot them! Or open a window for better circulation!”

At least I’ve had some gigs, I guess. I can’t complain, but I think I’m allowed to be somewhat sardonic. I’ve had a few livestreams, a handful of small outdoor gigs paid by the magic Arts Council England money tree of ‘please don’t forget us next year, we’re doing our best.’ Grateful. Honestly, very grateful. Here comes the cold now, where do we go?

Well, pubs are open. Great. And musicians are able to play in them, following some volume-related rules.  But that’s not really the investment in the soul I had in mind. Pubs are a chance for this full time musician to go out with his band ‘Jobe and the Spotify Playlists’ – doing requests for the ‘loud drunk guy at the front’, who shouldn’t be raising his voice anyway, but he’s bigger than me and the bouncer hasn’t spotted him yet/this pub forgot to hire security.

My experience in the pubs has been stressed landlords trying to tame insatiable extroverts and more covid-19 deniers than you can shake a Piers-Corbyn-branded stick at (I could have chosen any number of Covid-19 deniers). It’s a place for extroverts to get their fix, and the amount of antisocial behaviour I’ve seen at 21:55 because it’s kicking out time has been rather laughable. I proudly nurse my pint knowing I can stay past 22:00 curfew – I’m working!

I can see my musician mates disappearing off to ‘retrain’ under the reign of Rishi Sunak. Whether he did or did not say that people in the arts need to go and find a proper job, we’re just generally hot and bothered about the whole malaise of the situation.

Goodbye fellow musicians. Part of me wants to say ‘yey, more work for me’, but losing my band and playing to backing tracks actually makes my skin crawl. “Please!” I plea to my drummer (percussionists also considered musicians), “don’t become an itinerant electrician in Bedfordshire! You’ll be too tired by to gig on a Friday when you get back to Brum. Oh, and I need this amplifier pat tested.”

We’re quite harmless, actually, us musicians. We might complain about not being paid enough, and, no matter how much you’ve paid us, if we don’t get a free drink from the bar your name is besmirched for life. We all keep a spreadsheet of scrooge-oriented venue managers…

Anyway, we’re harmless.

On the 6th of October, there was a protest gathering of over 400 musicians in Parliament Square. They formed an impressive orchestra and blasted Gustav Holst’s ‘Mars’ from The Planets, Op.32 at the politicians, who must have enjoyed a rather delightful evening concert for free. See? We can’t even protest, right! Lorry drivers strike by not driving. Teachers strike by their absence, shutting down a school. Us musicians strike by “ooh come on let’s have a ruddy good jam session, that’ll learn ‘em!”

Just imagine if the government invested in venues over this period, ready for the world to return to normal. Clean, socially distanced, even folk-club style. All people welcome. This could be a chance for people to listen to new music, or old music in a new way. You can actually pay attention to the lyrics for once! Dancing from our seats, doing the sit-down shuffle, and practicing to become the best ‘hummers’ in the world. May I suggest Puccini’s ‘Cora a bocca chiusa’. Or be inspired by the vocal acrobatics Bobby McFerrin.

I guess the only profound quote we can be left with now is that of Jim Bowen, the host of the 80s darts-themed TV gameshow Bullseye. After the players had lost, the curtains would draw back to reveal a speedboat, a car, or a “beautifully crafted Wedgwood Dinner Service set.” “Let’s see what you could have won,” Jim would say.

We’ve invested in health. We’re investing in economy. Let’s not forget the soul.

“Let’s see what we could have won.”

To find out more about Jobe Baker-Sullivan, visit www.facebook.com/jobesullivanmusic

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LOCAL PROFILE: Reuben Reynolds

Words by Jobe Baker-Sullivan / Pics supplied by Reuben Reynolds

Accomplished guitarist Reuben Reynolds, 29, has lived in Erdington for most of his life – one of many hidden talents in our local area.

Falling in love with the guitar around age 15, Reuben graduated from Coventry University with a ‘Professional Practice’ Music Degree. His earliest musical interests reflect his eclectic playing style: “Jimi Hendrix, Carlos Santana, Green Day, Reggae music. These are like my early influences.”

Living in Erdington, but gigging all around the UK and abroad, Reuben has a hectic and varied life as a freelance musician. “My schedule is split between a few days teaching, performing, creative sessions, production, recording sessions dotted around.”

A travelling troubadour, Reuben teaches weekly outside of Birmingham – including at the Evelyn Grace Academy in Brixton and Uppingham School, a boarding school in East Midlands.

He also has private, one-to-one tuition with clients and is often booked for workshops, for a day or a few weeks, as a tutor. Teaching, for Reuben, is “rewarding” as it’s a chance “to connect with people who are less experienced, or people who are just coming up. It’s good for me because it keeps me connected with learning.”

A staple part of the music scene in Birmingham, Reuben has performed at many venues – big and small. He also works on a monthly event at Mama Roux’s in Digbeth called ‘The Unique Experience’, a regular showcase promoted by his longstanding musical partner Call Me Unique: “I would organise the band and lead the band, sometimes I wouldn’t even be playing! I tend to do a lot of house band events like that.”

In 2017 he performed at the world famous TED talks when the series came to Birmingham. He was the guitarist for Lumi HD – a Nigerian born, Birmingham-raised singer-songwriter, with a small ensemble. He’s no stranger to venues such as Town Hall or the Hippodrome, large music venues that can seat hundreds of spectators.

Reuben comments that his biggest audience was around 2000 people at the 02 Shepherd’s Bush Empire in London. Although he hasn’t been keeping score, giving a high quality performance no matter what the numbers on or off stage: “I try to play as if it doesn’t make a difference – It doesn’t matter if it’s 100 or 1000, I just play.”

Taking a piece of Erdington out into the world, Reuben has performed in France, The Netherlands, Poland, Bulgaria, Germany, and even North Carolina – playing as part of Soul or Gospel bands in various festival tours. He was due to tour in Germany this year, although this was cut due to COVID-19 – cancelled thanks to coronavirus, like a lot of his work.

Erdington Local previously spoke to Reuben about his thoughts on how musicians first responded to the coronavirus crisis – in our ‘Saturday night cabin fever’ feature, first published in April this year.

During the lockdown Reuben stayed positive, enjoying “more sleep”, a chance to reconnect with other creative projects, and to teach over Zoom. Now he notes a “significant loss of work” and especially bemoans the fact that he missed “summer – the most significant season for performing.” He lost three weeks of work working with Punch Records too, where he was teaching up to ten students every day for three weeks.

But as lockdown eased and live music in the UK was able to resurface, albeit in a limited capacity, Reuben has been back gigging around Birmingham. Performing as part of a function band at Digbeth’s ‘Zumhof Biergarten’, Reuben laughs: “people aren’t allowed to dance – it’s a bit strange, when you’re playing song about dancing!”

Reuben also plays with a trio and was booked to play a series of quirky gigs in residential spaces in Handsworth this summer. Bringing music directly to the people, he performed in “open garden type areas outside people’s homes within earshot of their windows.” Residents were elated to be listening to live music from their balconies, performed in the open green space below. “I haven’t really done things like this before,” tells Reuben. “Lockdown has made people think of different ways to bring art to people.”

He was also booked to perform by the Erdington Arts Forum to support a family fun day in Erdington. With nothing but a gazebo, a battery powered amp, and vocalist Tavelah Robinson, Reuben’s makeshift duo were able to entertain kids with a two hour selection of upbeat music on Spring Lane Playing Fields – despite the unorthodox circumstances and unpredictable weather. Check out the video below.

When asked about the wider arts scene in Erdington, Reuben says: “I know about Oikos Café and the Secret Art Space Studios, but I feel like that’s all there is to know.” He acknowledges that “there’s a lot of musicians” but grieves that “there aren’t the type of venues that have live music, it seems. If you go up to Sutton (Coldfield) there’s seems to be more activity.”

Nonetheless, Reuben loves Erdington’s location in the country so he can gig anywhere, and the convenience of the high street.

By the sounds of things, Erdington isn’t going to lose this home-grown talent any time soon.

Reuben Reynolds and Tavelah Robinson @ Spring Lane Playing Fields

To find out more about Reuben Reynolds, visit www.instagram.com/reubzmusic