NEWS: ‘Racist Attack – Shut It Down – Black Pound Protest’ organised for Saturday 8 June on Erdington High Street

Words by Erdington Local editorial team

For the second week running there will be an anti-racism protest on Erdington High Street.

The protests are in response to reports of a black family and teenage boy being racially abused and attacked by a group of men from local businesses, over an alleged parking dispute outside a shop on the High Steet.

The first protest was held on Saturday 1 June, with organisers calling for a follow up event to take place on Saturday 8 June at 1pm – billed as the ‘Racist Attack – Shut It Down – Black Pound Protest’.

Erdington resident Leon Bedward, also known as DJ Warren G, his pregnant partner, and sister were attacked outside the shop on Erdington High Street on 17 May. Mr Bedward also identified a young black teenager who stepped in to help the family, who was in turn also attacked.

West Midlands Police confirmed three victims were “struck during the altercation” and are now investigating.

The police have further confirmed five men, aged from 22 to 45, were arrested on suspicion of violent disorder and racially aggravated assault, and have since been released on bail.

A West Midlands Police spokesperson told: “Several people were involved in verbal abuse following an alleged parking dispute.

“A man, a woman and a teenage boy were struck during the altercation. We are working through CCTV in the area to establish the cause of the disorder and who was involved.

“We also ask anyone who witnessed what happened and hasn’t spoken to us, to contact us via Live Chat on our website or by calling 101 quoting crime reference 20/450892/24.”

Reports of the attack, which took place on 17 May, has been widely shared on social media causing much anger and upset in the local community.

On Saturday 1 June, black community leaders and Mr Bedward, aka DJ Warren G, gave speeches through an amplified megaphone outside the shop and plan to do the same at 1pm on Saturday 8 June.  

Bishop Desmond Jadoo MBE is one of the organisers of the protests and stressed the importance of keeping race on the agenda as the country gears up for a General Election on 4 July.

Bishop Jadoo is also currently leading the ‘Justice 4 Dea-John Reid’ campaign, which wants a law to ensure juries represent the demographic and racial profile of an area.

He told Erdington Local: “Last week was a success, a peaceful demonstration by the black community calling for racist abuse on Erdington High Street to end.

“The attack on Warren is not an isolated incident and we need to show it is not fashionable to attack people.”

He added: “We are in the middle of a General Election and race has to be on the agenda. Race has fallen off the agenda in recent years, but the politicians need to be reminded it is still an issue.

“And the politicians who want to represent Erdington after this election need to show they are aware of the problems which are blighting the High Street, especially for the black community.”

Mr Bedward also stressed the event on Saturday 8 June must be a “peaceful protest”, and called for a boycott on the shop where the incident took place and for “the black pound” to be spent within the Afro-Caribbean community.

He said: “The purpose of this protest is to shed light on the racist behaviour exhibited by the store staff towards my partner and sister.

“As a result of the attack, both myself and my partner were hospitalised. This peaceful protest aims to raise awareness within the community and encourage a boycott.

“I initially tried to address this issue through Instagram, but I was subsequently attacked by 15 to 20 individuals, possibly more, from the shop staff and surrounding shops.”

He added: “It is also an opportunity for the black community to come together and support our own shops, ultimately building a stronger community for ourselves.”

In October 2005, Warren G was a DJ on a local pirate radio station and broadcasted reports coming from the local community that a black teenage girl had been gang raped by Asian men in the Beauty Queens salon in Perry Barr.

Beauty Queens is an Asian owned shop selling Afro-Caribbean products, based on Wellington Road in Perry Barr, and following the alleged attack the DJ encouraged a boycott of the business.

Warren G further organised “a peaceful protest” to highlight the issue which sadly ended in widespread violence and the tragic death of a 23 year old man, Isiah Young-Sam, who was stabbed to death.

Statements from West Midlands Police at the time told how they were “pursuing routine lines of inquiry” but that there was “no evidence to either confirm or deny the (rape) allegation”.

The ‘Racist Attack – Shut It Down – Black Pound Protest’ is being held at 1pm on Saturday 8 June at the top end of Erdington High Street, near the Six Ways Island.

LOCAL PROFILE: Oliver Hassell

Words by Jobe Baker-Sullivan / Pics supplier by Oliver Hassell

Artist Oliver Hassell took Erdington by storm with his striking, colourful, and darkly-inspired pieces displayed for Black History Month. Erdington Local catches up with him to find out what makes him tick.

Born in Erdington and living here his whole life, Oliver started to enjoy art “as a toddler.”

I’d draw what I’d see on TV – things like Harry Potter,” although he admitted, with a smile, that at this age they were “stickmen, and I’d just label them ‘Harry Potter’.” He sees these early years of drawing “cartoons and action figures” as an important sign he had a calling for visual art.

Oliver says that he “didn’t get into making proper art until I was about 16.” He studied illustration at Birmingham City University (BCU), saying that “Uni was fun, I had a good time” – spending that time developing new skills, professing that he learned a lot “by himself” as opposed to part of the university course.

Oliver creates colourful, eye-catching pieces with dark figures, foreboding smiles, and references to social media, religion, sex, death, and his latest piece regarding coronavirus (with the virus literally coming out of a Corona bottle of beer).

Oliver explains his general working method when creating his artwork. Commencing with a sketch, then “mainly drawing in pens, adding small details in with paints for “mouths and eyes.”

To give the art an extra layer of otherworldliness, Oliver then scans his piece onto the computer and edits slightly to “step it up from a drawing to something to look at.”

Oliver has various inspirations, saying the “past year or so I’ve been concentrating on the concept of the shadow self.”

He goes onto say that “Everyone’s got their dark-side that they don’t really want to look at – It’s up to you to figure out and understand that [dark] side of yourself so you can become a complete person.” He explored these themes in his debut exhibition in January 2020 at The Gap Arts in Balsall Heath.

Oliver worked in a collective setting as part of Gallery 37 which is a ‘creative residency programme where young people can rediscover themselves as artists’. The joint exhibition of 5 artists was called ‘Karma-Utopia’ hosted at Centrala in Digbeth.

Oliver created an art piece which was a colourful, illustrated “stack of blocks, with different values on it like love – creativity.” The words were written backwards, placed next to a mirror.

Viewers could participate with the piece, ordering the blocks in the order of values which they found most important to them. “It puts you with what you think is important,” and the fact it is next to a mirror represents that the values are a “reflection of yourself.”

Erdington Local asks Oliver his opinions regarding Black History Month [BHM]. Oliver is “mixed – Black Caribbean and white British.”

He feels like “We’ve come so far with it now,” thinking that 2020 BHM should be the “start of something that goes on forever.”

Oliver sees the murder of George Floyd in May as a great “injustice” and that it’s important to “support the fight.”

He says he personally “hasn’t felt oppressed by the government,”but was aware of racist language when he was growing up. “It’s a joke when we were kids, but that’s still a problem,” Oliver says.

Oliver was featured as part of October’s Evening of Creativity at Oikos Café and is happy that “stuff like this is happening now in Erdington,” bemoaning that there isn’t much for visual arts in the area.

He transformed lockdown into a chance to concentrate on his own business, ‘Death in Colour’, which is his own clothing line featuring his art work: “Upcycled, vintage clothing with my art work – all customized.”

Starting the business in March, Oliver says he’s been “doing quite well during COVID” with some of his stock now sold out.

He did have intentions for a pop up shop-come-exhibition space, although this was not possible due to the pandemic. “A couple things have been scrapped, but it hasn’t stopped the train,” says Oliver, positively.

Oliver is now learning more about animation, 3D, and digital art forms. He’s interested in “Wallace and Gromit-style,” plasticine 3D animation.

I’m just trying to evolve – build up my skills as much as possible. Good stuff will happen.”

To find out more about Oliver Hassell, visit www.oliverhassell.com

To find out more about Birmingham Black History Month, visit wwwb.irminghamblackhistorymonth.co.uk

NEWS: Snapshots of Mumbai – local writer explores historic relationship between India and Britain, marking 73 years of India’s independence from colonial rule

Pics by Paul Ward – all photography in this article has taken from Snapshots of Mumbai

On Saturday 15th August, local writer Ed King releases Snapshots of Mumbai – marking 73 years of India’s independence from British colonial rule.

Supporting the text are a series of original images from Birmingham based photographer Paul Ward, who recently won the ‘Fashion Photographer’ category at the British Photography Awards 2020.

Exploring the might and majesty of India, whilst following the roots of British imperialism, Snapshots of Mumbai is ‘a love letter’ to the modern day megacity – published in both hardback and paperback editions by Review Publishing, joint owners of Erdington Local.

The 204 page coffee table book is an anthology of essays and interviews from Mumbai – starting with ‘South City’, a walking tour through the history of this sprawling modern metropolis.

‘Places Behind’ goes deeper under the surface of prominent areas in Mumbai, such as Dhobi Ghats – the world’s largest outdoor laundromat, and Dharavi – Asia’s biggest slum where the film Slumdog Millionaire was set.

‘Modern Gods’ explores three major driving forces behind Mumbai, told through more extensive essays on religion, entertainment, and trade.

Whilst ‘Interviews’ sees Ed King talk directly to of people about their first-hand experiences of living and working in Mumbai.

Featured in the chapter are Saami – a street hawker who works and lives on the streets of Colaba, and Ashwin Merchant – Deputy Director of the Swiss Business Hub, who had to help Mumbai police identify bodies after the 2008 terror attacks, and Naresh Fernandes – a prominent Mumbai based journalist and writer, who was editor of Time Out Mumbai when interviewed.

‘The Gallery’, the final chapter in Snapshot of Mumbai, showcases a special series of twelve photographs from the project by Paul Ward – which have already been on display as standalone exhibitions at both Wolverhampton Art Gallery and Bilston Art Gallery.

Written for audiences who may or may not know the city, Snapshots of Mumbai is also ‘a reminder’ of Britain’s colonial legacy in South Asia – introducing today’s readers to the ‘forgotten history’ of the British Raj.

The first of five books that will follow Britain’s involvement with India – from the trade of the East India Company to the military occupation enforced by the British Crown – the Snapshots of… series will further cover Kochi, Chennai, Kolkata, and Kashmir.

Ed King was born in Britain and works in Erdington, but has a longstanding relationship with India – having covered music events across the country for a number of UK titles.

Although it was his own ignorance of the history between the two countries that spurred him to write Snapshots of Mumbai.

The term ‘Empire’ was never taught in my history lessons,” tells Ed King, “it was a left to fade behind tales of the League of Nations and other heroic feathers in caps.

But the legacy of British India has shaped both countries, tied them together – and it’s becoming part of the world’s conveniently forgotten history.

I wrote Snapshots of Mumbai because I wanted to learn about the relationship between Britain and India myself. Something I hoped to pass on in an engaging narrative surrounded by beautiful pictures – thank you Paul Ward.

This book is not an accusation of ignorance; I want the book to be enjoyed. It is, quite simply, a love letter to the city – an exploration of Mumbai.

But we should hold on to history and know how the world was formed by our grandparents, our great grandparent’s, and those that came before. It is a frightening and absurd chapter to forget. There’s still an audience for truth.”

Ed King interviewed about Snapshots of Mumbai – filmed at Oikos Café, as part of the Erdington Arts Forum ‘Evening of Creativity’

Snapshots of Mumbai is available in’ both hardback and paperback editions from Saturday 15th August, release by Review Publishing.  

For more on Snapshots of Mumbai, including links to online sales, visit www.reviewpublishing.net/snapshots-of-mumbai

For more on Paul Ward, visit www.paulward.net

OPINION: …and you’re worried about a statue?

Words by Ed King / Pics by Paul Ward – all photography in this article has been taken from Snapshots of Mumbai

I used to live on Cecil Road. At the end of Cecil Road was Kitchener Road. Running parallel to Cecil Road, and perpendicular to Kitchener Road, were Fashoda Road and Manila Road.

Every one of these roads is named after a murderer, or where many murders took place.

And each terrace house that sits behind their names, be it full of second year students or people on remand, are an epitaph to evil. And Imperialism. And to Empire that stole a third of the world, then sold it back piecemeal at a charge.

How does this happen? What possible reasons could there be to celebrate such cruelty? Let’s backtrack… let’s look backwards to move forwards, to see the patterns. Let’s understand some history before we compartmentalise modernity.

In 1601 a group of London merchants set sale aboard a fleet of grand old ships called the Hector, Red Dragon, Ascension, Guest, and Susan – bound for the East Indies, a place we now recognise as India and South East Asia. White British men with their eyes on fortune and glory. White British men with privilege – a word you need to remember when talking about Britain’s colonial history.

Their mission was to trade, and their reason was that the Dutch, Portuguese, and French merchants were beating them to it – charging them a high price for goods a new society was beginning to enjoy. And to feel was their right to enjoy, be it gifted by God or the court. But it was trade that galvanised the request to take bullion abroad and exchange it for silks on the road. It was about competition, and greed – two more words to remember.

So, in one decree the East India Trading Company was born – and over the next 400 plus years would use their Amazon approach to the Elizabethan marketplace to end up controlling half the world’s trade.

What began as a royal charter to circumnavigate the prices of spices, silks, coffee, and cotton from mainland Europe, would turn into a centuries spanning race for control of international territories – one that would end in monopoly, slavery, a New World Order, and the backbone of what we purport as ‘democracy’ – after some savvy North American think tanks helped coin a new meaning. And wars. And bloodshed. And all the unspeakable horrors that occur when you believe God isn’t watching.

I know there’s a lot to research here, and I am not an academic man. But we all have a responsibility to ourselves, to learn. To keep learning. Then to pass on truth and knowledge. And as most of us walk around with the world’s largest library in our pockets that’s a pretty good place to start.

But there’s another point of understanding we need to address. Something I need to recognise too, as I become involved in conversations that are long overdue and fundamental to any future that can call itself equal.

There is a thing about being British. And white. And male.

And until the widespread media reports of recent weeks, it’s a word that that is not often acknowledged as it really needs to be. Just like the names of the roads where I used to live.

Privilege.

A hierarchy formed through history and hubris; a position stolen by my forefathers and endorsed by every silent generation that came afterwards, including my own.

I have it. My father has it, as did his father beforehand. It is impossible to be British, male, and white, and not have it. You can deny it all you like; all your heart wants to. But it’s there. We’re born into it. The world around us was built on it, by powerful people who can get away with murder. Who have roads named after them.

I’m not condoning acts of social disorder or violence, but crimes need to be challenged – whether they happened weeks or centuries ago – and their perpetrators need to be seen as the criminals they are.

Maybe some of us need to live in fear for a while too; maybe some of us need to know what that’s like. To be unsure of what the world could do to you without consequence. To walk down a road and not feel safe. To sit in a job interview and know it’s not your experience that’s the problem. To not get served in a bar, or a restaurant. To get heckled from the stands. To get spat on, to get to get punched. To have your last cries for help, for mercy, squeezed from your windpipe by a man with a badge.

And if you don’t believe there’s a balance that needs to be reset, Google each of the names I mentioned at the start of this article – those proud men and moments of history that still pepper UK cities. Whose names are remembered but whose actions we choose to forget. Men with privilege, granted by a world that hid its horror behind their own.

Lord Robert Cecil. Lord Kitchener. The Fashoda ‘incident’. The Battle of Manila.

Murderers and murder, adorned on the roads where I used to live – on street corners near primary schools and pubs. In the edge of our blind eyes every single day.

…and you’re worried about a statue?

Ed King is a Birmingham born writer and author of Snapshots of Mumbai.

For more on Snapshots of Mumbai, published by Review publishing, visit www.reviewpublishing.net/snapshots-of-mumbai

LOCAL PROFILE: Reverend Gerard Goshawk

Words by Jobe Baker-Sullivan / Pics by Ed King

Reverend Gerard Goshawk has been a Baptist minister for “probably about 18 years.” Working first as a lay pastor, he became a full time pastor 13 years ago – finding his way to Six Ways Baptist Church after coming “from Nottingham, and it’s been brilliant. I love Erdington.”

But the ‘new normal’ created by the coronavirus crisis has established new ways of working, socialising, and even worshipping – as everywhere from classrooms to congregations have been subject to physical and social distancing restrictions.

Reverend Goshawk’s working week before lockdown “was a different rhythm. It was more based with things happening up at Six Ways Baptist Church. The different groups, activities we had there, being around for those, and visiting people – and lots of meetings, meetings, meetings! Lots of worship based at the church, and (the Erdington) foodbank based at the church.”

An important part of the community, the Erdington Foodbank is based at Six Ways Baptist Church – providing ‘three days nutritionally balanced emergency food and support to local people who are referred to us in crisis.’

But during the COVID-19 pandemic, The Trussell Trust – who support the Erdington Foodbank – have seen usage across their UK network increase by 89% from April 2019 to April 2020. For Reverend Goshawk, his active role helping the people who need access to food has become even more pertinent.

Although reaching his congregation was also a concern, as places of worship across the country were completely closed during the coronavirus lockdown. “It’s been a big learning process,” explains Reverend Goshawk, as social media became the most viable method of communication with people in self-isolation.

We have a service on YouTube that we pre-record for each Sunday, that goes out… I do some Daily devotions on Facebook live each day and I send them out on a WhatsApp list as well. That’s Monday to Friday.

Then, we also have a zoom fellowship – a service on a Sunday where most people that can do that get together. That’s been really great and we’ve kinda adapted to how we do that.”

Excited by the prospect of this new normal, Reverend Goshawk notes that “there’s statistics out there about people who have not done church before but are watching church services online. There’s a whole new field of people out there who are being reached, and in our small way, Erdington is part of that.”

But while he can’t yet meet his congregation at church, Reverend Goshawk still goes out to members where they live – spending a lot of his time “cycling round Erdington, delivering news sheets, written information for people as well… because we have… 25 people in our church not connected on the Internet.”

There’s even a chance for prayer, as Reverend Goshawk finds himself “sometimes praying with people on their doorstep… 2 meters away.”

Places of worship are now set to open for private prayer in England from the 15th June, and Reverend Goshawk is preparing for “coming out of lockdown, as of next week. We’ll be able to open up for people to come in just for quiet prayer, socially distanced and everything.”

But like many businesses and social groups in the UK, Six Ways Baptist Church has seen how some engagements are actually better off being at least partly conducted online.

We wouldn’t want to be losing all the new things that we’ve done,” tells Reverend Goshawk, “because we are reaching different people in different ways, you know.

Sometimes I used to do a bible study for a very small number of people who would turn up on a Sunday evening at the church – on a cold winter’s evening, about four faithful people perhaps sometimes just turning up. And now we’re in double figures every time and growing with the number of people that will come to bible study [via zoom].

I believe we’re made by God to connect with each other and to be alongside each other. I think we will still do lots of things online. It would be a shame to lose that experience and that benefit that we had. It just means a bit more work!”

Outside of the coronavirus crisis, and the changes Reverend Goshawk has made to stay in touch with his immediate community, Six Ways Baptist Church has received recognition for its hard work helping migrants and asylum seekers.

Reverend Goshawk is also the chair of the group Everyone Erdington, which celebrates diversity, and in the past has organised “get togethers”, lunches, and festivals specifically inviting people from different backgrounds. And whilst institutionalised racism is a constant concern, affecting communities worldwide, following the murder of George Floyd in Minnesota people and protest have risen up across the globe in solidarity.

Our church at six ways is a black majority church,” explains Reverend Goshawk. “I don’t really feel equipped to speak on behalf of people that would identify themselves as black. But the response has been deep… actually looking at the practical ways that we as a church can make a difference for ourselves and for this community to actually be part of that transformation.

That exciting change that seems to be out there as a possibility at the moment. There’s a whole range of feelings about it. One of those, the more positive thing about it, there’s a move that’s happening. It does feel like there’s potential for real change.”

Reverend Gerard Goshawk is pastor at Six Ways Baptist Church. To find out more about the church, visit: www.sixwayserdington.org.uk

For more on the Everyone Erdington Facebook group, visit: www.facebook.com/EveryoneErdington

For more on the Erdington Foodbank, including information on how to access provision or to make a donation, visit: www.erdington.foodbank.org.uk

OPINION: Black Lives Matter protest in Birmingham

Words by Jobe Baker-Sullivan / Pics by Chris Neophytou & Jobe Baker-Sullivan

As far as I’m concerned, the police in America might as well be a terrorist organisation.”

I was spellbound by the thousands of people who gathered in Birmingham for the Black Lives Matter protest. There were people of all ages and races. There were children, and even a few pet dogs. It was in response to George Floyd’s death – which has caused shockwaves in cities around the world. I was proud to be there for Birmingham’s show of solidarity.

Initially, it was a scary experience. On my way to Birmingham Library, where the speeches took place, I was handed a slip of paper from an organiser with ‘advice on arrest’. I became anxious as the crowds gathered momentum – lest we forget, there is also the possibility of being infected with coronavirus.

But the intention of this protest was noble.

People chanted in full voice: “George Floyd, remember his name!” organically, along with other slogans. There were signs containing anti-establishment messages, messages of hope – some tongue-in-cheek, some with wise quotations. The one that resonated with me was the powerful, ‘They want our rhythm not our blues.’ As a musician, I believe that a vast amount of popular music owes a lot to talented, pioneering yet anonymous, often intentionally uncredited, black musicians. And as a white musician, I believe we stole their music but we didn’t alleviate their sorrow.

By chance, I spotted some people I know from Erdington. Pastor Rasaq Ibrahim from the Redeemed Christian Church of God (RCCG) joyfully handed me a free face mask, before disappearing into the crowd to give more to strangers.

Feeling fully equipped, having brought my vinyl gloves and voice recorder, I joined the crowd outside the library to hear passionate speakers selected by the Black Lives Matter group using a portable PA, often doubled with a megaphone. It was only audible if you were very close to the action, but people were happy to start chants in their own pockets of activity. I caught most of the speeches, with various speakers commending the multi-ethnicity of the crowd, the fact that this protest cannot be the last, and getting the crowd to kneel as a gesture of solidarity.

The fight is not black verses white; the fight is not black verses Asian. The fight is not black verses any race. The fight is against racists,” one speaker sermonised, followed by rapturous applause.

A couple of hours later, we marched, from Centenary Square, along New Street, to protest symbolically in front of the Lloyd House Police Headquarters.

An acquaintance of mine spotted me in the crowd. Like all the following speakers, she is black and wishes to remain anonymous. She is from Castle Vale: “Everyone’s out here. Black, white, Indian. Fighting for the same cause. It’s like the most peaceful protest I’ve ever been to. The message is clear. All anybody wants to have is an enjoyable life, and some people are robbing them of that.

Me personally, I feel like Black Lives Matter is inclusive to everyone as well. As far as I’m concerned, the police in America might as well be a terrorist organisation. The George Floyd incident was filmed, but it’s like, this has been going on for decades. This protest is saying, stop it. Just stop.”

I too had fear that this day would not remain peaceful, having seen the news of tear gas and looting in America. Trump’s response was to threaten to send in the army to cease the unrest, yet here in Birmingham I see an army of well-meaning citizens mobilizing to bring positive change.

One man, from Moseley, tells me: “As you can see, everybody’s behaving and respecting. Not many police officers. In general, I’m quite blown away because also, nobody with grey hairs like us! The majority of people are under 30. It’s mixed like hell mate! Proper mixed… It’s been an excellent day, a great day.”

We stopped our conversation to admire the marching crowd as it circled around Colmore Circus. Buses had come to a stand-still, and cars sounded their horns as they drove by in solidarity.

This is different from every other one [protest] because it’s worldwide. And it’s unfortunate that the people who commit the crime are telling other people to be peaceful!”

Another male I knew from Erdington was a little more sceptical of the speakers present at the protest: “to be honest, I think it’s just a façade. There was no direction on the mic in what they were saying. There were people on the mic saying: ‘if you’re not down with XYZ then you’re not XYZ’.”

Black Lives Matter itself as an organisation is not without its criticisms. It has been accused of being militaristic, police-hating, and has had a history of confrontation in the public domain – a prominent Black Lives Matter activist and writer, Shaun King, was banned from Facebook in 2016. Although King’s censorship was later redacted by the social media giant and labelled ‘a mistake’.

But whilst agitation can be seen as an important part in evolving debate, it can also lead to messages getting blown out of proportion in a media frenzy – a difficult balance no doubt Black Lives Matter, and many activist groups, will be all too familiar with. And if you need an example of how this can go wrong, just Google ‘Katie Hopkins’.

But the response to the George Floyd murder, for that’s what it is, has been the most recent flashpoint of a whole history of anti-human abuse. Black lives do matter, and as offensive as it is to even need an organisation to clarify that the conversation about race needs to be kept alive, by everyone.

And personally, from my corner of the crowd and community, it was important for me to be part of this historic event in my own city. And as a musician, and a human being, I can only pray that finally a change is going to come.

For more on Black Lives Matter, visit www.blacklivesmatter.com

Jobe Baker-Sullivan is an Erdington based musician and arts ambassador, leading the Erdington Arts Forum and the Active Arts Evenings of Creativity. For more on Jobe Baker Sullivan, visit www.facebook.com/JobeSullivanMusic

For more on the Erdington Arts Forum, visit www.facebook.com/groups/cafeartsforum/