NEWS: New York’s The Hitman Blues Band pack out Oikos Café as citywide Jazz & Blues Festival comes to Erdington

Words by Ed King / Pics by Connor Pope

Last weekend, hundreds of music lovers packed out Oikos Cafe in July to watch homegrown and international acts perform as part of the citywide Jazz & Blues Festival.

Organised by the Erdington Business Improvement District (EBID), the main Saturday stage was set for New York based The Hitman Blues Band, playing two sets of modern/alt blues, including originals ‘Bad, Bad Man’, ‘Not My Circus Not My Monkey’ and “the track that got us touring in the UK” – ‘Angel in the Shadows’.

Classic covers were also on the set list, Including Dylan’s folk anthem ‘Time They Are A-Changing’ and Willie Dixon’s blues standard ‘Hoot Koochy Man’ – all given a firm Hitman twist. The UK’s Honeyman Hickling Blues Band were also on the afternoon bill.

Originally planned to be held outside on and around the Village Green, the bad weather forced the live gigs into the upstairs room at Oikos café. But in a space usually reserved for church services and community groups, the musicianship, comradery, and comedy made it feel like Saturday night at Ronnie Scotts.

Regaling stories of broken hearts, relationship battles, and pet tortoises who might survive the tour due to poor merchandise sales, Russell ‘Hitman’ Alexander had the room devouring every word and chord change – with superb support from keys, a horn section, percussion, and vocal harmonies.

“Thank you all for coming out, we really appreciate it,” exclaimed charismatic front man at the end of the final set, with many sticking around for signed CDs and photos with the band.

After a short break, Oikos then welcomed the UK’s own Honeyman Hickling Blues Band, serving up a second slice of the Blue & Jazz Festival pie.

Earlier in the weekend, local trombonist Clive the Slide headlined the Erdington Arts Forum run Evening of Creativity – bringing another rafter packing crowd to Oikos Café, as part of the citywide annual event.

Erdington Town Centre Manager, John Hodgkiss, who brought the Saturday Birmingham Jazz & Blues Festival to Oikos, told: “Today has been fantastic, hundreds of people came out to welcome international musicians and a citywide music festival into Erdington.

“The Hitman Blues Band travelled all the way from New York to play in Erdington, delivering two incredible sets – alongside the UK’s amazing Honeyman Hickling Blues Band. Erdington High Street can be a vibrant and exciting place with a generous and supporting community, and we (EBID) want to keep bringing acts and events here to celebrate that.”

Erdington Ward Councillors Gareth Moore and Robert Alden (Conservative) were also in the crowd on Saturday afternoon.

Cllr Moore said “it was great to have the Jazz festival here on Erdington High Street and to see so many people enjoying the events. Thank you to the Jazz Festival, volunteers, the Erdington BID manager and Oikos for all their hard work.”

Cllr Alden said: “We will be working with the Erdington Town Centre Manager to try and bring the festival back and expand the shows in future years.”

Pastor Dan Mandley from Oikos Café and Church added: “Wonderful to have such a wonderful event come to Erdington. Great bands and great atmosphere. I am already looking forward to next year’s festival.”

Look out for a special PICTURE GALLERY feature on the gigs with The HItman Blues Band and Honeyman Hickling Blues Band at Oikos Cafe – in the next print edition of Erdington Local, out from 1 August.

For more on The Hitman Blues Band visit www.hitmanbluesband.com

For more form the Erdington Business Improvement District visit www.facebook.com/erdingtonBID
For more from Oikos Café and Church visit www.oikoschurch.co.uk

For more details on Birmingham Jazz & Blues Festival visit www.birminghamjazzfestival.com

OPINION: Invest in live music, not the pub

Words by Jobe Baker-Sullivan / Profile pics by Chris Neophytou

Imagine if the government invested in the soul of the nation.

‘If music be the food of love, play on,’ wrote Shakespeare.

I’m talking about music. From the point of view of a musician and gigaholic.

Music makes the world go round,” sang the Hamilton Brothers.

What I’ve witnessed over the past few months is a series of missed opportunities. ‘Hindsight is a wonderful thing, but foresight is better,’ taught William Blake.

Can we move forward from now, into the festive season, and reengage musicians? We can’t lose this precious part of our culture – live music. A lack of opportunities in the past few months has meant that brass players lips crumble, violinist fingers are stiff. All musicians – the well-behaved ones at least – are struggling.

It’s apparently too dangerous for musicians to be doing what they do, entertaining us all, bringing us all to a higher state of consciousness with harmonious sounds and that. Especially singers (yes, singers are musicians). Singing in groups is considered a ‘higher risk activity’ by the government, because of the potential for aerosol production. Don’t get me started on those pesky woodwind instruments. Ignore the hundreds of people protesting on the streets, Dominic Cummings on his roadshow of potential infection, or the big queue in Lidl – “there’s a flute player in this place! Shoot them! Or open a window for better circulation!”

At least I’ve had some gigs, I guess. I can’t complain, but I think I’m allowed to be somewhat sardonic. I’ve had a few livestreams, a handful of small outdoor gigs paid by the magic Arts Council England money tree of ‘please don’t forget us next year, we’re doing our best.’ Grateful. Honestly, very grateful. Here comes the cold now, where do we go?

Well, pubs are open. Great. And musicians are able to play in them, following some volume-related rules.  But that’s not really the investment in the soul I had in mind. Pubs are a chance for this full time musician to go out with his band ‘Jobe and the Spotify Playlists’ – doing requests for the ‘loud drunk guy at the front’, who shouldn’t be raising his voice anyway, but he’s bigger than me and the bouncer hasn’t spotted him yet/this pub forgot to hire security.

My experience in the pubs has been stressed landlords trying to tame insatiable extroverts and more covid-19 deniers than you can shake a Piers-Corbyn-branded stick at (I could have chosen any number of Covid-19 deniers). It’s a place for extroverts to get their fix, and the amount of antisocial behaviour I’ve seen at 21:55 because it’s kicking out time has been rather laughable. I proudly nurse my pint knowing I can stay past 22:00 curfew – I’m working!

I can see my musician mates disappearing off to ‘retrain’ under the reign of Rishi Sunak. Whether he did or did not say that people in the arts need to go and find a proper job, we’re just generally hot and bothered about the whole malaise of the situation.

Goodbye fellow musicians. Part of me wants to say ‘yey, more work for me’, but losing my band and playing to backing tracks actually makes my skin crawl. “Please!” I plea to my drummer (percussionists also considered musicians), “don’t become an itinerant electrician in Bedfordshire! You’ll be too tired by to gig on a Friday when you get back to Brum. Oh, and I need this amplifier pat tested.”

We’re quite harmless, actually, us musicians. We might complain about not being paid enough, and, no matter how much you’ve paid us, if we don’t get a free drink from the bar your name is besmirched for life. We all keep a spreadsheet of scrooge-oriented venue managers…

Anyway, we’re harmless.

On the 6th of October, there was a protest gathering of over 400 musicians in Parliament Square. They formed an impressive orchestra and blasted Gustav Holst’s ‘Mars’ from The Planets, Op.32 at the politicians, who must have enjoyed a rather delightful evening concert for free. See? We can’t even protest, right! Lorry drivers strike by not driving. Teachers strike by their absence, shutting down a school. Us musicians strike by “ooh come on let’s have a ruddy good jam session, that’ll learn ‘em!”

Just imagine if the government invested in venues over this period, ready for the world to return to normal. Clean, socially distanced, even folk-club style. All people welcome. This could be a chance for people to listen to new music, or old music in a new way. You can actually pay attention to the lyrics for once! Dancing from our seats, doing the sit-down shuffle, and practicing to become the best ‘hummers’ in the world. May I suggest Puccini’s ‘Cora a bocca chiusa’. Or be inspired by the vocal acrobatics Bobby McFerrin.

I guess the only profound quote we can be left with now is that of Jim Bowen, the host of the 80s darts-themed TV gameshow Bullseye. After the players had lost, the curtains would draw back to reveal a speedboat, a car, or a “beautifully crafted Wedgwood Dinner Service set.” “Let’s see what you could have won,” Jim would say.

We’ve invested in health. We’re investing in economy. Let’s not forget the soul.

Let’s see what we could have won.”

To find out more about Jobe Baker-Sullivan, visit www.facebook.com/jobesullivanmusic