FEATURE: Artists Conversations (part two) – Queens of the Commonwealth with Waheeda Rahman-Mair

Words by Ed King / Pics and images supplied by Myah Barrah and Waheeda Rahman-Mair

Last month, Erdington Local ran the first in a series of articles inspired by the monthly Artists Conversations group – where local artists come together at the Secret Art Studio Space in Central square, every third Wednesday.

In part one, we heard what happened when Bunny met Louvinia, and the mural so many have enjoyed brightening up the walls of Coton Lane.

In part two, Erdington Local talks to Waheeda Rahman-Mair – a Birmingham-Bangladeshi artist commissioned through the Queens of the Commonwealth project, finding out more on the subjects she chose to depict and the double-edged sword of such a royal appointment.

“I saw how attached she was to the painting, and that’s what I love – I love that people actually do see themselves and that they do connect.”

Waheeda Rahman-Mair is a multi-disciplinary artist, working with a range of mediums from traditional oils on canvas to digital animation and graphics – with a BA (Hons) in Visual Communication: Animation and Moving Image and an impressive portfolio. A respected portrait artist, Waheeda has seen private commissions across the city, country, and even Atlantic Ocean.

Inspired by her ‘childhood fascination for cartoons and video games’, Waheeda grew up interested in art. She was referred to the Artists Conversations monthly meetings by a friend, after leaving her job as a visual and motion graphics designer.

“I was already working in Digbeth, from an office,” tells Waheeda, “but when the pandemic hit, I started working from home more often. I quit my job back in April to pursue being a full-time artist, and someone recommended I go to the Erdington Artists Conversations group meeting.

“I did, and it was really nice to meet local artists from Erdington and to explore the other side of the creative industry which is more about local communities – as opposed to being in an agency that works for larger clients. It was more like ‘what can we do as a community for the people locally and the people we live next door to.’

“I’m also part of another group which is to do with South Asian art creatives within the UK, which networks across the world.”

As Birmingham prepared to host the Commonwealth Games, a series of projects were commissioned as part of the Birmingham 2022 Festival – including the LGK Productions documentary Queens of the Commonwealth, where local filmmaker Panikos Panayiotou explored the ‘unique journey of 22 women from various Commonwealth nations’ after migrating to Birmingham.

Needing local artists for a supporting exhibition at Birmingham Museum and Art Gallery – depicting the women featured in Panayiotou’s documentary in their own mediums and styles – a representative from the Birmingham 2022 Festival came to the Artists Conversations group offering commissions.

This is how Bunny met Louvina Moses. And this is how Waheeda would meet Darshan Bhumba and Pastor Yvonne Brooks, two more women featured in the LGK documentary.

Whaeed explains: “I started with conceptual designs (using Procreate) of how I wanted to draw them, based off the interviews and the photos I was looking through. Just a general vibe of who they are, if they angle their face in a certain way when they laugh or smile – and from these mannerisms I worked out how they should look, and I started sketching that out.

“Then I went on to Photoshop, where I can draw on screen, and then started to do the paintings whilst I was listening to the interviews.

“Hearing them, more of their mannerisms and the way they talk, was helping me pick out extra bits. Like when they were laughing, I could see the dimples come out, or that they do this extra gesture with their hands.”

But from 22 women to choose from, each with a unique and inspiring story to tell, it was Darshan and Yvonne that stood out for Waheeda.

“They were really strong resilient women,” she tells. “This came across from all the interviews, but especially with the two women I chose to paint. They both migrated from areas that were tough on them or the lifestyle was very different, and migrated to have a better life or to be reunited with family members.

“I thought that was such a meaningful and touching part of their lives that they exposed through the interviews. The fact that they shared such vulnerability in front of a camera, with people they didn’t know, just showed me how strong they are.”

The final digital drawings are similar in style, but strongly unique with the colours and iconography Waheed felt brought her subjects to life – such as the hydrangea engulfing Dashan, and the amber jewellery and background that adorns and surrounds Yvonne.

Deeply engaged with the women she was vicariously coming to know, Waheeda admits it was instinct that prompted some of her artistic choices – but on a chance meeting with Yvonne, her gut turned out to be right.

“I wanted to show that amber was part of her (Yvonne), that she is so warm, and glowing, and inviting to people. The circles also show how she connects people, and how (though her outreach work) she has made these circles of unified women.

“She told me ‘I’m so happy you put in the amber jewellery’, when she was in Jamaica she used to play with sap, which is where amber comes from. It’s part of her childhood… everything I guessed in her painting was solidified when I met her.”

Although Waheed was unable to meet Darshan, she was introduced to some of her close family members and reached more who know her muse through the Internet.

Waheeda continues: “Art is subjective, and I do worry sometimes… especially when I do portrait paintings, because people see themselves differently to how people see them from the exterior, they notice things about their face or their bodies that strangers wouldn’t see.

“I met one of her (Darshan) daughters and her husband, and they both said how I’d really captured her. And once I posted the painting on Instagram I had so many of her relatives say, ‘that’s my aunt; that’s my grandma… you’ve really captured her.’ It was reassuring to hear how many people had recognised in her in the painting.”

From Bunny’s widely embraced mural of Louvina Moses on Coton Lane, to Waheeda’s deeply personal depictions of Darshan Bhumba and Pastor Yvonne Brooks exhibited at Birmingham Museum and Art Gallery, the Queens of the Commonwealth project has been a significant showcase for these Erdington artists.

But the history of the British Empire, the foundation blocks to the Commonwealth, is still the elephant in the room– with the Commonwealth Games Chief Creative Officer, Martin Green, publicly criticised for having ‘sidestepped’ Birmingham’s ‘Indian, Bangladeshi and Pakistani communities’ when allocating Birmingham Festival 2022 funding.

“I made sure the projects I contributed to were addressing the racial aspects (of the Commonwealth),” tells Waheeda, whose family’s heritage is Bangladeshi.

“With the Queens of the Commonwealth, it was more about the women; these strong resilient women who’ve done things for the community, who are still doing things for the community.

“And I thought in that sense it was empowering to uplift other women, and that’s where I stood with the Queens of the Commonwealth project.

“In the interviews they did shed light that when they moved to England… it shocked them, and they weren’t afraid to say what they were truly feeling about migrating to England. I found that a reassuring aspect of this, and the fact it was more about the women really helped me find peace in this.

“There was another project I worked on which was about the opinions of the South Asian community about the Commonwealth, that I also did a painting about. That’s going to be posted on my Instagram and on my website… it’s called ‘The Golden Mask’.”

For more on Waheeda Rahman-Mair visit www.waheeda.co.uk or follow @waheeda_art on Instagram.

Erdington Artists Conversations are held every on the third Wednesday of each month, from 7pm to 9pm, at the Secret Art Studio Space in Central Square – on Erdington High Street.

Free to attend, for more information call 07966 699 894 or email: [email protected]

NEWS: Castle Vale opens ‘warm welcome spaces’ to support people across winter

Words by Ed King / Pics by Bianca Parvuceanu

As the cost-of-living crisis makes the coming cold months even harder for people, Spitfire House and Castle Vale Library have become part of the city’s official ‘warm welcome spaces’ – providing free to access heated facilities across winter.

Open between 9am to 9pm on weekdays, and 10am to 4pm on Saturdays, the indoor ‘warm banks’ not only offer a heated place for families to come to, but also work stations, computer access, hot drinks, baby changing areas, and ‘children’s play equipment’.

One of 26 current official outlets across Birmingham, the citywide initiative has commandeered libraries, community hubs, and sports centres, to provide a warm support network over winter – spearheaded by Cllr John Cotton, Cabinet Member for Social Justice, Community Safety and Equalities.

As energy prices reach record highs, and people across the country are forced to decide between basic essentials – often represented by the choice between ‘food or heat’ – the Council led support programme has committed to providing ‘places you can use and visit during the winter period and beyond.’

Spitfire House and Castle Vale Library are run by Spitfire Advice and Support Service (SASS), whose Chief Officer, Ray Goodwin, is also the elected Labour Party Councillor for Castle Vale.

SASS have always had publicly accessible ‘warm spaces’ at both Spitfire House and Castle Vale Library, alongside their other community support programmes – such as food distribution and financial advice services.

Now part of the citywide initiative, Cllr Goodwin hopes to reach more people across the Vale and offer a more robust support service – whist ensuring the growing post-Covid problems and those caused by the cost of living crisis are not ‘normalised’.

Cllr Goodwin told Erdington Local: “The ‘welcome warm spaces’ initiative is probably one of the most important initiatives in this city.

“It’s not only going to provide a space for people to stay warm, and make sure they can meet their friends and socially interact – and combat social isolation, but quite frankly it’s going to stop people dying.

“For us this is a really important step to help during the cost of living crisis, which will protect both people and communities.”

Spearheaded by Cllr John Cotton (Glebe Farm and Tile Cross, Labour), Birmingham’s ‘warm welcome spaces’ initiative is a Council led answer to the nationwide dangers many will face during the cold months.

In a recent article in the Guardian, announcing the introduction of the scheme and published the day after Liz Truss took over as Prime Minister, Cllr Cotton was quick to put the onus of responsibility squarely on the steps of No10.

In the final paragraph, Cllr Cotton warns the erstwhile PM: “unless you tackle this crisis with the same urgency and focus that we approached the pandemic, you will see people dying in their own homes this winter. The choice, Prime Minister, is yours. For all our sakes, make the right one.”

Now Rishi Sunak is Prime Minister, Cllr Cotton has an equally unflinching message for the country’s new Conservative Leader and top politician.

He told Erdington Local: “Mr Sunak and his party have been in power for 12 years.  The fact that we are now having to build a network of ‘warm welcome spaces’ to keep Brummies warm and safe this winter is a damning indictment of their decade of economic failure and mismanagement.

“People in our city need help now with meeting the rocketing costs of heating their homes, putting food on the table and keeping a roof over their head.  What they don’t need are more cuts to public services, or a refusal to ensure their pensions and benefits keep up with spiralling inflation.

“Birmingham’s Labour Council will do everything in its power to keep people warm and safe this winter.  But the Government needs to act – and act fast – to avoid their cost of living crisis turning into a disaster for many people in our city.”

At the time of writing, Birmingham has 26 ‘warm welcome spaces’ recognised by the Council, growing from an initial eight when launched – with more businesses and organisations being invited to join the scheme.

St Mark’s Community Hub, Brandywood Crescent, Kingstanding, is also part of the Council’s official ‘warm welcome spaces’ – although it is only open to over 50’s on Thursdays between 1:30pm to 4pm.

St Martin’s Social Care Project at St Martin’s Church are also part of the initiative, but again only open to over 50’s on Tuesdays between 10am to 1pm.

The new community hub from Foundations 4 the Future, opening in Central Square later this month, has also pledged to offer a warm open space for local families, alongside the outreach work they do to support young people and challenge youth violence.

For more on the ‘warm welcome space’ at Spitfire House and Castle Vale Library visit www.birmingham.gov.uk/directory_record/418843/spitfire_advice_and_support_service

For more on Spitfire Advice and Support Services visit www.spitfireservices.org.uk

FEATURE: Erdington Artists Conversations (part one) – when Bunny met Louvina, the Coton Lane mural set to change the city’s streets

Words by Erdington Local editorial team / Pics supplied by Bunny (Create Not Destroy)

Erdington has a varied, vast, rich, and ripe art community, with monthly run ‘Artists Conversations’ held at the Secret Art Studio Space in Central Square – a vibrant think tank of creative endeavour, bringing new ideas and splashes of colour to the North Birmingham streets.

Recently commissioned under the Queens of the Commonwealth project, four Edrington artists from the collective were asked to paint portraits of inspiring women from the Commonwealth – to be hung in Birmingham Museum & Art Gallery.

But one was too big for a museum wall…

Erdington Local caught up with Bunny, the talented creative behind the cherished Coton Lane mural reviving a street art trend.

The mural of Caribbean born, Erdington resident nurse Louvina Moses on Coton Lane, just off the High Street, is not just a pretty face.

The mural, painted by Erdington artist Bunny, also known as Create Not Destroy, is one of the first visible artworks of a transformative exciting new art movement. Bunny joined the Erdington Artists Conversations collective in November last year, and after a successful start – and some daring ideas – there is real hope every empty Erdington wall will be adorned by art.

If Helen of Troy was the face which launched a thousand ships, then Louvina’s face could launch a thousand murals across Erdington and further afield.

Bunny told Erdington Local: “We wanted to bring artists in Erdington together, and our first meeting in October at the Secret Art Studio Space; there was just six of us in the freezing cold.

“What has happened since has been amazing, we now have a real diverse group of artists, young, old, every colour, Muslim, Christian, you name it. But everyone is connected together through a love of art.

“We meet every month and have really great discussions about art. But what really gave us a boost was when we were approached by those running the Commonwealth Queens project to help them create 22 portraits of women.

“As soon as I saw a picture of Louvina and a video of her talking, I knew I wanted to paint her. Her face shows such a journey; she, like my parents, came from a Caribbean island to another island all those years ago and made such sacrifices. Her face tells so many stories.”

He added: “I asked if instead of painting a canvas portrait whether I could create a mural on a local wall, they loved the idea and it has taken off from there.”

From the moment Bunny pitched up on the corner of Coton Lane to paint the giant mural, he knew the people of Erdington would take it to their hearts – just as many did with the mural around the hoardings of the old Maplin site.

He said: “I spent as much time on the ground chatting to people than I did up the ladder painting. People were so interested what I was doing, normally they would walk past me without giving me a second glance but when I start painting murals people are suddenly interested.

“There is a real appetite for art in Erdington, through our (Artists Conversations) group we know there is talent in the area and art can make a difference. I want art to become part of Erdington, like how the murals and art really are part of Brixton; there is no reason why Erdington cannot be the Brixton of Birmingham.”

Father-of-two Bunny, who lives near Six Ways island, began his art career in the mid 1980s, incorporating painting, photography, videography, music, aerosol art, and graffiti. But his renewed love for mural making was sparked two years ago when he was asked to paint one in honour of an old friend in London.

Bunny said: “Social media has really changed art. In the old days we would travel miles to look at a wall with graffiti or a mural, now people can see what you have created on their phones and give instant feedback.

The 55-year-old added: “This got me back painting murals. They are within the open realm, they are there to provoke a reaction, whether people love it or hate it they will look at it.”

Those who will be taking more than a second glance at the dignified lady emblazoned in the colours of St Kitts are her Louvina’s children, grandchildren, and great grandchildren, many of whom live around Erdington.

Louvina was born in Tabernacle Village in St Kitts in the Caribbean in the 1940s and left for Britain with her husband in 1961.

She said: “I came to England when I was pregnant but left two children behind as well as my parents and grandparents who I missed, but leaving my children was worse than anything.

“We brought our first house in 1966 and sent for both of them. We have four children, 12 grandchildren, 14 great grandchildren, and one great great grandchild.”

Louvina is still married 63 years later and featured in Queens of Commonwealth documentary, which celebrated the migrant women who helped to rebuild the UK after the Second World War.

The 22 positive stories of the women contrast vividly against the backdrop of the Windrush Scandal, which saw the British Government illegally deport Caribbean pensioners who had lived in the UK for decades – many of whom are yet to receive compensation.

Louvina, known to many as Rose, unsuccessfully tried to become a teacher in the 1960s but finally got a job in the NHS at East Birmingham Hospital.

She said: “There was racism by my white colleagues, they gave me the hardest time; I was given the worse jobs all of the time.”

However, Louvina stood her ground in the NHS and worked for 43 years at Heartlands Hospital until her retirement.

She continued: “One day at work my manager called me and told me I had been chosen to go and have tea with the Queen at Buckingham Palace, I could not believe it. We sat just behind Maggie Thatcher.

“Buckingham Palace! I never thought I would get to the door, let alone get inside. If you are a poor person back home you would never think you could get to Buckingham Palace. I went back again when one of my sons got an MBE and it was easier then.

“I tell my children, stand up for yourself, you can’t go backwards in life you want to move forward in life. You have to take each day as it comes, live for today and praise God for tomorrow.”

An active Louvina instilled the desire to give back to the community into her children, her son Lincoln was awarded with an MBE for his work with youngsters and setting up the Holford Drive Community Hub.

He gathered siblings, cousins, nephews, and nieces for an epic photo underneath the watching eyes of Louvina at the mural, although the matriarch missed the gathering as she was back in St Kitts.

Lincoln told Erdington Local: “My mother is my Queen, she and my father have been together for 63 years, they are an inspiration.

“The Queens of the Commonwealth did a great job reminding everyone the hard work and sacrifices my mother’s generation went through to give their children a better life.”

He added: “She loves the mural, we all love the mural, from one come many! Bunny did an amazing job and hopefully it will be there for years to come.”

Bunny said: “It was an absolute honour to paint a remarkable woman like Louvina and shine a light on the huge self-sacrifices her generation made to help others, and become the backbone of institutions like the NHS and the transport industry.”

Shortly after Louvina appeared near the High Street, another Erdington local who came from the Caribbean has been immortalised by a mural – new UFC welterweight champion Leon Edwards.

Bunny, who recently created the Lozells art trial featuring pictures of local reggae stars, said: “It is great to see another mural pop up in Erdington after Louvina, and I another one will appear soon. I have been commissioned by Erdington Litter Busters to design a mural.

“So, Louvina will be the first of many, now every time I see an empty wall or space I am thinking what mural could we put there.”

For more on Bunny / Create Not Destroy visit www.createnotdestroy.com

Erdington Artists Conversations are held every on the third Wednesday of each month, from 7pm to 9pm, at the Secret Art Studio Space in Central Square on Erdington High Street.

Free to attend, for more information on Artists Conversations call 07966 699 894 or email: [email protected]

NEWS: The Recovery Foundation showcases over 100 pieces of local artwork at Secret Art Studio Space

Words by Ed King / Pics by Ellycia Gardner – with additional images from Ali Walker and Robert Alden

On Monday, 8 August, The Recovery Foundation launched their art showcase  exhibition at the Secret Arts Studio Space (SASS) in Erdington.

Over the past few months, more than 50 local residents picked up a pencil or paint brush, many without any previous art experience, to create over 100 pieces of original artwork – as part of a programme of workshops to support mental health, wellbeing, and social inclusion.

Still on display at SASS, situated downstairs at the Central Square Shopping Centre, The Recovery Foundation exhibition can be seen through the gallery windows and on selected open days – and will remain installed over the next few weeks.

Running six separate groups over six weeks, The Recovery Foundation art sessions were free to access workshops – supporting anyone with “lived experience of mental illness”, or those just looking for a social or creative outlet.

Formed in 2020 by Emma Sitole, after her own issues with mental health and subsequent recovery, The Recovery Foundation places ‘hope’ and the centre of its support programmes.

Also embracing creativity and art as helpful tools of recovery, the six week workshops followed a series of oversubscribed Art in Parks sessions, where people would come together in outdoor green spaces, such as Rookery Park,  to learn new art techniques.

As part of a post lockdown programme to help bring people out of isolation and come together again in community groups, the subsequent workshops allowed The Recovery Foundation to continue its work in Erdington – reaching out to more people and building a wider network of budding creatives.

Emma Sitole explained: “We trialled Art in Parks last year, which was really successful, and off the back of that people were saying they’d love something that explored different techniques and looked into different things.

“Angie (Chapman), our Creative Arts Director, put together a programme and we’ve seen about 50 people come through our doors with these workshops.

“It’s a privilege to walk alongside people and see them discover they’re really creative – and they’ve created some incredible artwork.

“Today is the showcase… there’s a real sense of pride around people wanting to show what they’ve created.

“There’s been a lovely buzz about the place, some lovely conversations. But also lovely to see that community come back together again and support each other.”

A local mum, Ali Walker, took part in The Recovery Foundation art workshops after suggesting the programme to a friend.

With a new born baby to look after, who she took to each session, Ali found the workshops a chance to meet other people and further explore her passion for art – already being a keen photographer.

Attending the showcase exhibition at SASS with her now 10 month old daughter, Ali told Erdington Local: “I got a range of things from it (the art workshops), on the art side I learnt a lot of skills and techniques and things that I didn’t think I’d be able to do.

“On the other side of things, it was connecting with people from different backgrounds and getting involved in all sorts of conversations. And getting to know about Erdington a lot more, which I really enjoyed.

“I was trying to encourage someone I know, who struggles with their wellbeing, to come along but they couldn’t make it.

“I’d already put my name down and thought because I’m a new mother it was a good chance to get out for myself as well.”

After the success of Art in Parks and the subsequent art sessions, The Recovery Foundation are looking to establish a more permanent home in Erdington – and will be running another series of creative workshops in September.

Birmingham based professional mixed media artist, Eddy Aigbe, knows first hand the impact both creating and exhibiting art can have on people’s sense of self-worth.

Eddy told: “It’s something I’ve promoted myself in my previous job, where we had a community centre in Lozells.

“The problem was a lot of people were isolated and had mental health issues… and had a lot of talent. Just like you do here in Erdington – there’s a lot of talent going on.

“But there’s not much space to exhibit and show it off. A key part in being an artist is not just producing the work but showing it off – it validates you as an individual.

“As an artist, it’s a way to evaluate all the processes, styles, and everything you’ve been doing.”

The Recovery Foundation art workshop showcase on Monday, 8 August was open to the public, with the exhibition still on display at SASS.

Local resident and campaigner Basharat Dad attended the showcase’s opening. He told Erdington Local: “I think it’s brilliant, The Recovery Foundation have been great at engaging with the local community.

“Some of the artwork is the first-time people have tried art, and they’ve created some amazing pieces.

“There’s more of a need in Erdington, in terms of art spaces and projects, that could really help not just with mental health but also community building and bringing people together.”

Erdington Ward Councillor Robert Alden also attended The Recovery Foundation art showcase launch.

Cllr Alden has long championed the constituency’s creative industry and endevours, alongside his running mate Cllr Gareth Moore – from the mural on the hoardings around the old Maplin site, to the ongoing Active Arts and Kaleidoscope events.

Cllr Alden added: “It was great to be at The Recovery Foundation art event in Central Square and to see so many people from across the area together who had benefited from the art sessions that they have put on locally, especially in Rookery Park.

“These kind of events can help provide people with that support and community conversations that help people when they need it.

“Cllr Gareth Moore and I will be doing what we can to help support The Recovery Foundation with their plans for further events and services to support the local area in the coming months and years.

“While this was their first Erdington art show, at the Secret Art Studio Space, I have no doubt it won’t be their last.

“Well done to all of the local residents who produced some stunning pieces of art as part of the show.”

For more on The Recovery Foundation visit www.therecoveryfoundation.org.uk

NEWS: Citywide project 10 to 11 launches in Erdington on 26 June – connecting the city by music, arts, culture… and the No 11 bus route

Words by Ed King

10 to 11 is an exciting new arts project from Number 11 Arts, helping people celebrate arts and culture all over the city through the No 11 bus route – presented as part of the Birmingham 2022 Festival

Spread over five Sundays, from 26 June to 24 July, Birmingham’s neighbourhood arts forums will be hosting a programme of free arts activities in areas along the popular bus route, operated by National Express West Midlands.

From music to gardening activities, performances to processions, mask making and blossom tree decorating, 10 to 11 presents something for the whole family to get involved in. All ages are welcome, and all events will be free of charge.

Launching in Erdington on Sunday 26 June, the first 10 to 11 event will be an ‘Afternoon of Creativity’ – as organised by Erdington Arts Forum.

Taking place from 12noon to 3pm at the Secret Arts Studio Space in Central Square, on Erdington High Street, the ‘Afternoon of Creativity’ will feature with arts, crafts, and children friendly storytelling

Live music will come from world touring artists, including Roksana Grobelna, Paul Riley, and Stefan Stefanov.

There will also be a special performance from the Village Green Band, who have built a strong local reputation performing live Irish music at the New Inn Traditional Music Sessions – and who recently played in support of Refugee Week at Minerva Works on Fazeley Street.

A second event will continue the 10 to 11 festivities in Sutton Coldfield, taking place at the Holy Parish Church on Mill Street on Sunday, 3 July – as organised by Sutton Arts Forum

Jobe Baker Sullivan, head of Erdington Arts Forum, told Erdington Local: “This is an exciting chance to show off our lovely Secret Art Space Studios in Erdington to other parts of Birmingham.

“The 10 to 11 project is a really cool idea, and I believe after the Commonwealth Games have left the city we should do it again. It’s so important to fund artistic innovations like this, and to find a sustainable model in the future.

“I’m also looking forward to hosting the Sutton Coldfield event on 3 July, at the church where I am music director – though I promise to everyone reading we will have a wide array of arts, music and poetry.”

Travelling the length and breadth of Birmingham, the 10 to 11 project will also be running a special No 11 ‘arts bus’ to take people to each event – in partnership with National Express West Midlands.

While onboard the arts bus, entertainment will come from Birmingham’s comedy ‘cleaner to the stars’ and Britian’s Got Talent finalist Mrs Barbara Nice, Stan’s Café’s out of work sporting critics The Commentators, and singer Mabowunje Harrison.

The National Trust will also be at the 10 to 11 events, encouraging local people to plant their own blossom trees along the No11 bus route this winter – as part of their Blossom Together project.

For more information on Blossom Together visit: www.nationaltrust.org.uk/features/helping-communities-blossom

The 10 to 11 project is led by Number 11 Arts, an umbrella organisation that supports and champions a city-wide network of neighbourhood arts forums in Birmingham.

Tom Jones and Gurminder Sehint from Number 11 Arts said: “We’re really excited to be connecting up all the local arts forums in one project together, to celebrate all the wonderful arts work they do in their local communities.

“The number 11 arts bus is also a great opportunity to reach more audiences and transform one of Birmingham’s much loved bus routes.”

The 10 to 11 project has been funded by Arts Council England and is in partnership with National Express West Midlands and the National Trust.

The events will be running on five consecutive Sundays: Sunday 26 June, Sunday 3 July, Sunday 10 July, Sunday 17 July and Sunday 24 July.

Roksanna Grobelna – who will be performing at the ’Afternoon of Creativity’ on Sunday 26 June

The Commentators – who will be entertaining people aboard the 10 to 11 arts bus

For more information on 10 to 11, including details on individual events and the arts bus timetable, visit: www.number11arts.co.uk/10-11

NEWS: Love Erdington arts festival at Central Square running from 10-15 May

Words by Jobe Baker Sullivan

Celebrating creative talent this spring, Arts All Over the Place (AAOTP) have planned five days of poetry, music, and art in Central Square on Erdington High Street, running from 10 – 15 May.

The completely free Love Erdington festival is a culmination of the Creative Catalyst workshops, held every Thursday at the Secret Art Studio Space (SASS).

The weeklong programme starts on Tuesday, 10 May with a VIP launch lunch from 12pm – featuring Erdington based conservatoire graduate Edwin Podolski playing violin.

Open to members of the public, anyone wanting to attend the Love Erdington festival VIP launch lunch should email: [email protected]

Wednesday, 11 May will see two sessions with Birmingham poet Kiran ‘Kiz’ Manley, from the collective Hip Hop HEALS. “We do creative workshops with a well-being twist,” explained Kiz.

“We use scientifically evidenced calming techniques from expressive arts research to settle people into sessions. Then we energise people’s expression and connection with others through fun prompts to bring about a creative buzz.”

Thursday, 12 May will host a craft workshop with Margaret Murray, an art facilitator who ran the regular AAOTP Creative Catalyst workshops. Her plan is to create models of birds with movable wings, which members will flap as part of a procession used in the festival’s grand finale.

“Creative Catalyst has really lived up to its name,” said Margaret. “It has been providing opportunities for participants to revisit or learn new skills and to share their creative talents. It has provided a really friendly place to chat and even laugh.”

Arts All Over the Place (AAOTP) work with people who have experience of dealing with mental health issues. “We care for carers, as well as care for people who need caring for,” told Cathy Crossley, head of AAOTP.

Friday, 13 May is set to be a ‘carers day with information stalls’ from Home, a group with a contract through Birmingham City Council that provides support for carers. “They will be giving out information in the afternoon,” added Cathy.

Also on the Friday, from 2pm there will be a workshop with professional model maker Trevor Boddington. AAOTP previously ran Creative Catalyst workshops in Castle Vale where Trevor and the participants created a model of The Sanctuary on Tangmere Drive.

Trevor will be teaching people how to create models out of junk material such as tin cans and cardboard boxes. “Trevor is fantastic at creating things out of other things that are too nice to throw away,” said Cathy.

Saturday, 14 May, the final day of the festival, will present a procession in Central Square and music from three bands, including the Village Green Band – founded in 2022 as an offshoot of the Erdington Traditional Irish Sessions.

“We can’t wait to be part of this festival. Anything that’s a chance for me to bang my drum, both literally and figuratively, celebrating Erdington,” said Robert Tanley, co-founder and Bodhran player for the Erdington Traditional Sessions. “It also gives us a chance to advertise our third Sunday sessions at the New Inns.”

For more details on the Love Erdington festival email: [email protected]

NEWS: Erdington loses out on Levelling Up millions as the only Birmingham bid to fail at the first round

Words & pics by Ed King

Erdington High Street lost out on millions of pounds of investment today when its application for the Government’s Levelling Up Fund fell at the first round – as announced in the Chancellor’s Spending Review.

One of four applications made by Birmingham City Council, Erdington High Street’s bid was the only one to be denied at this stage – despite being for the lowest amount of money.

The Levelling Up Fund is a £4.8 billion national pot of money earmarked by Government for regional investment into local infrastructure.

The Levelling Up Fund application for Erdington High Street was at £12,700,000 – with further investment coming from the private sector, including the transformation of Central Square into a destination venue of shops, cafes, bars, and apartments.

Birmingham’s other bids, which have all made it through the first round, include £19,941,000 for the A457 Dudley Road Improvement Scheme, £17,145,000 for the Wheels site remediation, and £15,539,000 for Moseley Road Swimming Baths.

Erdington’s Levelling Up Fund bid was worked on by both Labour and Conservative politicians in the area – alongside key local stakeholders including Godwin Developments, Witton Lodge Community Association, and Erdington Business Improvement District.

Following the news, Erdington MP Jack Dromey (Lab) issued the following statement:

“Once again, the Government has failed to provide the investment Erdington High Street so desperately needs. This decision flies in the face of their ‘levelling up’ rhetoric and badly lets down one of the poorest communities in the country.

“This investment would have provided an invaluable economic, social and cultural boost to our community, as well as providing employment opportunities for Erdington, which has an unemployment rate that stands at twice the national average.

“But this is not the first time Government has let Erdington down. Following the rejection of the Future High Streets Fund bid on Boxing Day, we continued to seek investment in our High Street.

“Working together with Birmingham City Council, key local stakeholders, and the local community, we submitted this comprehensive and ambitious bid to the Levelling Up Fund complete with a solid business case and significant private investment.

“This makes the decision to deny Erdington of investment once again outrageous and inexplicable.”

Erdington ward Councillors Robert Alden and Gareth Moore (Con) made the following statements:

Cllr Robert Alden said: “This is a bitterly disappointing decision.

“When the Council took the four bids for Birmingham through cabinet, we warned that the Council providing £15m of match funding for the other three bids and nothing for Erdington would weaken the application and give the impression to civil servants that the Council clearly considered the bid to be less important than the other four.

“Sadly, that is exactly what seems to have happened”.

Cllr Gareth Moore added “The Council administration refusing to put match funding into the Erdington bid, was always a kick in the teeth for the hard work of local partners like the Erdington BID, Witton Lodge Community Association, regeneration officers who worked on the bid, businesses, developers and community and church groups.

“So, to now see that the three bids the Council did match fund were approved and that the Council refusal to match fund Erdington has potentially cost Erdington is disgraceful.

“However, a massive thank you to all the partners and officers involved who have been helping fight for Erdington”.

Erdington recently missed out the Future High Streets Fund, another cross party and local stakeholder application, which would have seen over £50m pumped into the town centre in a joint investment from Government and the private sector.

 

NEWS: Erdington MP calls on Government ‘to ensure a decision is made’ over £12.7million Levelling Up Fund

Words & pics by Ed King

Erdington MP Jack Dromey has called on Government to ‘ensure a decision is made… as soon as possible’ over a £12.7million Levelling Up Fund investment into the High Street, Erdington Local can reveal.

In a letter issued to Michael Gove earlier today, Mr Dromey urged the recently appointed Secretary of State for Levelling Up, Housing and Communities to respond to Erdington’s bid – allowing Birmingham City Council and local stakeholders to ‘get on with the job of delivering the improvements to infrastructure Erdington so desperately needs.’

An application for the Levelling Up Fund was submitted by Birmingham City Council in June, which if successful would see a multi-million pound injection into Erdington High Street, but has so far received no response from Government.

One of the criteria for the Levelling Up Fund, a £4.8 billion national pot of money for investment into local infrastructure, is for any successful bid to ‘begin delivery on the ground in the 2021-22 financial year’.

With only 6 months to go until April, concerns are growing if a decision is not reached soon the ambitious plans for the High Street could become impossible to deliver.

In his letter to Michael Gove, Mr Dromey continued: ‘I always say that Erdington may be one of the poorest constituencies in the country, but we are rich in talent.

‘The determination, innovation, and passion of local people, especially in the face of adversity as we have seen recently, never ceases to amaze and inspire me. However, without investment we will never realise this potential to its fullest.’

To read the full letter sent by Jack Dromey MP to Michael Gove click here.

Erdington’s Levelling Up Fund bid was worked on by both Labour and Conservative politicians in the area – alongside key local stakeholders including Godwin Developments, Witton Lodge Community Association, and Erdington Business Improvement District.

Included in the bid were plans for a major redevelopment of Central Square, transformation of St Barnabas’s churchyard, and seeing the listed Erdington Baths turned into a cutting edge business hub.

Erdington recently missed out the Future High Streets Fund, an application made that would have seen over £50m pumped into the town centre in a joint investment from Government and the private sector.

Now the hopes for the High Street are pinned to the Levelling Up Fund, which would again see a £12.7million investment from Government topped up by the private sector.

Godwin Developments, who are looking to develop Central Square into a Brindley Place style destination venue of restaurants, cafes, and stylish accommodation, are keen to help transform Erdington High Street.

Matt Chandler, Development Director at Godwin Developments, told Erdington Local: “Erdington, with its young population, has great potential and the Levelling Up Fund would ensure that it is unlocked with a major boost from well-thought through schemes breathing life into the high street, providing places to live and community assets for years to come.

“The Fund would prove transformational for the area, creating economic, employment and cultural opportunities for residents and encouraging further inward investment.

“With the Commonwealth Games arriving in Birmingham next year, all areas of the city should receive the investment they deserve.”

NEWS: Erdington MP Jack Dromey saves local art spaces from immediate eviction

Words by Jobe Baker Sullivan / Original photography by Ed King & Sylvia Chan

Erdington MP, Jack Dromey, has prevented the immediate eviction of two charity art groups from the old Central Square shopping centre on Erdington High Street.

The Cube and Active Arts Castle Vale are both known for dynamic engagement through the arts in the community – including painting, crafts, music, exhibition spaces, drama, and facilitating workshops and performances for well-being.

Both organisations were renting units at Central Square through East Street Arts, a Leeds born charity that works with landlords ‘to change the lack of infrastructure available for artists living and working’ in major cities across the UK – turning longstanding, empty commercial properties into vibrant art studios and spaces with more affordable rent.

Then on 25th June, The Cube and Active Arts Castle Vale were both given only three weeks to completely vacate their premises by Godwin Developers – in preparation for demolition of the whole of the Central Square, as part of Erdington High Street’s redevelopment plans. However, other businesses such as M S Fruits or the St Vincent’s charity shop were given extended leases of up to one year despite being on the same site.

After the art organisations got in contact with the Erdington MP’s office, Jack Dromey intervened directly in talks with Godwin Developments – who in turn agreed to extend the lease the same as the other businesses. Dromey announced on Twitter that: ‘This helps to protect the valuable arts community that thrives in Erdington.’

After contacting the constituency office, Jack Dromey MP told Erdington Local: “As soon as I heard The Cube and Active Arts Castle Vale were facing eviction at three weeks notice I knew I had to act immediately and contacted Godwin Developments, who recently acquired the site.

My discussion with the new owners of Central Square was a constructive one. I said that it was a sense of pride for Erdington that, in one of Britain’s poorest constituencies, local artists demonstrate how our community is rich in talent. I also brought home how those marvellous projects mean so much to the health and wellbeing of Erdington’s best.”

Active Arts Castle Vale work on art and community focused projects across the constituency, having converted the old Russell’s Furniture Store at Central Square into the Secret Arts Studio Space – ‘a place for artists to create their own work and have a safe space to test out ideas.’

Housing an ensemble of painters, illustrators, musicians, writers, and broadcasters, the Secret Arts Studio Space has been a growing success story for local artists – with new members lining up for affordable art studios in the heart of Erdington.

Leaving Central Square would have been a huge blow to the community of artists we have at the Secret Arts Studio Space,” explains Claire Marshall – Project Director at Active Arts, “it’s increasingly difficult for local artists to find affordable and accessible art space, and what we’d built up here – with help from East Street Arts – would have been totally turned on its head.

We know we’ll have to leave Central Square at some point to make way for the regeneration plan, which will be amazing for Erdington, and we’re getting support from people like Councillor Robert Alden and Terry Guest (Erdington Business Improvement District) to find an exciting new home.

But the eviction deadline from the developers was too hard and too fast – luckily as soon as we reached out to the MP’s office, Jack Dromey acted immediately and brokered us the time we needed. It’s a fantastic relief to all the artists here.”

As soon as the news came through regarding the eviction, The Cube were shaken too – desperately trying to sell the majority of their desks, computers, and pianos, in preparation for a drastic and fast move. They contacted every artist they knew to collect their work.

Heather Rowland, one of the co-founders of The Cube, said: “It was shocking when we were told we needed to move, but now we’re all so delighted. It would have been so much work to move out of there. I’ve been doing this for 12 years now. We’ve had a great time. I thought that was the end the Cube.”

But upon learning that The Cube can stay where they are, Heather also breathed a sigh of relief: “It’s lovely to think that we’ll still be here at Christmas. I know we’ve got to move out some time.”

Normally, The Cube is open Monday, Wednesday and Saturday 10am-3pm. Asking for a small donation, The Cube offers free or affordable space to a multitude of groups, allowing them to use their crafting facilities. It also hosts many accomplished local artists such as multi-media artists Cristelle Jones, Andy Spencer, and Ty Ford.

Central Square’s planned demolition contributes to the development of Erdington High Street – as part of the Future High Streets project – which, according to the .gov website should ‘encourage vibrant town centres where people live, shop, use services, and spend their leisure time.’

To find out more about The Cube, visit www.facebook.com/thecubeinthesquare

To find out more about Active Arts Castle Vale and the Secret Arts Space Studios, visit www.activearts.wordpress.com/secret-arts-studio-space

For more from Jack Dromey MP, visit www.jackdromey.org