Tag: book

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LOCAL PROFILE: Paulette Francis-Green – Empress P

Words by Jobe Baker-Sullivan / Pics by Jobe Baker-Sullivan and Paulette Francis-Green

Erdington Local is proud to support Black History Month (BHM). The newspaper will be releasing a LOCAL PROFILE each week of BHM on black members of the community, amplifying these voices and celebrating the richness of multi-cultural Erdington.

Paulette Francis-Green (creative alias: Empress P) is a “proud Erdingtonian of Jamaican heritage.”

Born in Saltley, she moved to Erdington aged 6 – attending Fentham Secondary School for Girls in the 1970s. Through her company, PFG Consultancy, Paulette has been key in gathering information for Birmingham’s official Black History Month brochure since 2012. The purpose of the City Council funded brochure is “giving out information about events across the city” as well as celebrating various milestones of black history.

Paulette’s first job was for Birmingham City Council, working as a clerical assistant from 1978, and she has been a passionate supporter of the city ever since. But another of her lifelong passions is netball: “I used to eat, drink, sleep netball.”

Paulette proudly tells how she was “chair of the Birmingham netball league for 13 years. I had aspirations of becoming an international netball umpire.” She fondly remembers 1995 Netball World Championship held at the NIA in Birmingham, working on a stall: “Having that here in Birmingham was ‘wow!’. And being part of netball was ‘wow!'”

Another passion for Paulette is poetry. She cites inspirations such as Shakespeare, as well as Birmingham born, nationally renowned poet, Benjamin Zephaniah: “reading his autobiography was powerful. His mum used to rhyme when she was talking to them” and that Benjamin was “Dyslexic”, although did not let this “disability” quell his ambition to write.

Paulette is an integral part of the Midlands dub poetry roots scene, performing and writing with creatives such as Panya the Poet, Sue Brown, and Miss Culture Jam. She has released an anthology called I’ve Landed as well as an accompanying album.

Paulette is also a breast cancer survivor. Diagnosed in 2012, she recalls her experience vividly: “I was scared – I didn’t want to die. My granddaughter wasn’t born yet, and I wanted to be able to live to see my grand-child.”

Her big dream was to “get to Ghana and to connect with Africa. Being in the motherland, feeling the African soil.” Making a full recovery, and now having visited Africa several times, she teaches that “what helped me dealing with the cancer was being positive. Being positive within yourself kicks out the negativity.” Paulette launched back into her work in the creative industry “straight after recovery.”

Paulette presented Erdington Local with a small, ongoing memoir of 25 “achievements” she had made since the year 2000. These included job titles such as Equality Diversity Champion, Black History Month Coordinator at The Drum (now known as Legacy Centre of Excellence), and Promotions Coordinator for the Simmerdown Festival.

One such job she had was at the Birmingham Museums Collection Centre, which is ‘a 1.5 hectare site that holds 80 per cent of Birmingham Museums’ stored collections under one roof.’ Paulette describes the Museums Collection Centre as “Indiana Jones meets Ikea”, referring to the warehouse scene at the end of the first film of the Spielberg series.

Her favourite objects include an unrealised civic plan of Birmingham city centre surrounding Baskerville House, a Giant Crab and a fold-up BSA bicycle from World War II: “Soldiers would parachute out the planes with these bikes strapped to their backs – so when they land, they can jump on their bike, and cycle to where they’re supposed to be!”

Paulette speaks about her role compiling the official brochure of Birmingham Black History Month: “One of the important things was how we wanted to spread the word about the black community, black history and letting people know about it.”

She showed Erdington Local a brochure from 2015 celebrating two important 50 years milestones: Malcolm X’s visit to Birmingham in 1965, and the 1965 UK Race Relations Act – which was the first piece of legislation in the UK to address the prohibition of racial discrimination.

The launch of Birmingham Black History Month at Birmingham Town Hall in 2018 “was powerful. It’s important for the black community that we’re in prominent places.” Paulette recalls with glee meeting American singer Dionne Warwick, who was giving a private concert for the organisers of the launch event. In her capacity of host, Paulette fondly remembers announcing, with a smile, “and now I hand over to Dionne Warwick.”

Paulette’s ebullient personality makes her a natural host. She is a co-presenter on the ‘Roots Rock and Reggae’ show on Newstyle Radio. “We do edutainment” explains Paulette, “we play music but we give out information as well – Caribbean news, black history, stuff about COVID.”

“I’ve done a lot over 60 years.” Paulette exclaims. However, some of her favourite hosting moments were in Erdington. She hosted the Christmas Lights Switch On and the Erdington Community Festival in Rookery Park, both events facilitated by the Erdington Arts Forum.

Paulette is also a staple part of the Arts Forum’s monthly Evening of Creativity, saying she loves “introducing the locals – giving them a round of applause.”

For more on Black History Month in Birmingham, visit www.birminghamblackhistorymonth.co.uk

I’ve Landed, by Empress P, is out now – available to purchase from Waterstones or Amazon. The album will soon be available on Spotify.

Paulette/Empress P will be hosting the Evening of Creativity: Black History Month special in Erdington at Oikos Café on the 16th October. Tickets will be available through Eventbrite – for updates and information, visit www.facebook.com/ErdingtonArts

You can listen to Newstyle Radio’s ‘Roots, Rock and Reggae show’ with Tony Roots featuring Empress P on Wednesdays 8-10pm on 98.7FM – for more on Newstyle Radio, visit www.newstyleradio.co.uk 

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NEWS: Snapshots of Mumbai – local writer explores historic relationship between India and Britain, marking 73 years of India’s independence from colonial rule

Pics by Paul Ward – all photography in this article has taken from Snapshots of Mumbai

On Saturday 15th August, local writer Ed King releases Snapshots of Mumbai – marking 73 years of India’s independence from British colonial rule.

Supporting the text are a series of original images from Birmingham based photographer Paul Ward, who recently won the ‘Fashion Photographer’ category at the British Photography Awards 2020.

Exploring the might and majesty of India, whilst following the roots of British imperialism, Snapshots of Mumbai is ‘a love letter’ to the modern day megacity – published in both hardback and paperback editions by Review Publishing, joint owners of Erdington Local.

The 204 page coffee table book is an anthology of essays and interviews from Mumbai – starting with ‘South City’, a walking tour through the history of this sprawling modern metropolis.

‘Places Behind’ goes deeper under the surface of prominent areas in Mumbai, such as Dhobi Ghats – the world’s largest outdoor laundromat, and Dharavi – Asia’s biggest slum where the film Slumdog Millionaire was set.

‘Modern Gods’ explores three major driving forces behind Mumbai, told through more extensive essays on religion, entertainment, and trade.

Whilst ‘Interviews’ sees Ed King talk directly to of people about their first-hand experiences of living and working in Mumbai.

Featured in the chapter are Saami – a street hawker who works and lives on the streets of Colaba, and Ashwin Merchant – Deputy Director of the Swiss Business Hub, who had to help Mumbai police identify bodies after the 2008 terror attacks, and Naresh Fernandes – a prominent Mumbai based journalist and writer, who was editor of Time Out Mumbai when interviewed.

‘The Gallery’, the final chapter in Snapshot of Mumbai, showcases a special series of twelve photographs from the project by Paul Ward – which have already been on display as standalone exhibitions at both Wolverhampton Art Gallery and Bilston Art Gallery.

Written for audiences who may or may not know the city, Snapshots of Mumbai is also ‘a reminder’ of Britain’s colonial legacy in South Asia – introducing today’s readers to the ‘forgotten history’ of the British Raj.

The first of five books that will follow Britain’s involvement with India – from the trade of the East India Company to the military occupation enforced by the British Crown – the Snapshots of… series will further cover Kochi, Chennai, Kolkata, and Kashmir.

Ed King was born in Britain and works in Erdington, but has a longstanding relationship with India – having covered music events across the country for a number of UK titles.

Although it was his own ignorance of the history between the two countries that spurred him to write Snapshots of Mumbai.

“The term ‘Empire’ was never taught in my history lessons,” tells Ed King, “it was a left to fade behind tales of the League of Nations and other heroic feathers in caps.

“But the legacy of British India has shaped both countries, tied them together – and it’s becoming part of the world’s conveniently forgotten history.

“I wrote Snapshots of Mumbai because I wanted to learn about the relationship between Britain and India myself. Something I hoped to pass on in an engaging narrative surrounded by beautiful pictures – thank you Paul Ward.

“This book is not an accusation of ignorance; I want the book to be enjoyed. It is, quite simply, a love letter to the city – an exploration of Mumbai.

“But we should hold on to history and know how the world was formed by our grandparents, our great grandparent’s, and those that came before. It is a frightening and absurd chapter to forget. There’s still an audience for truth.”

Ed King interviewed about Snapshots of Mumbai – filmed at Oikos Café, as part of the Erdington Arts Forum ‘Evening of Creativity’

Snapshots of Mumbai is available in’ both hardback and paperback editions from Saturday 15th August, release by Review Publishing.  

For more on Snapshots of Mumbai, including links to online sales, visit www.reviewpublishing.net/snapshots-of-mumbai

For more on Paul Ward, visit www.paulward.net

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OPINION: …and you’re worried about a statue?

Words by Ed King / Pics by Paul Ward – all photography in this article has been taken from Snapshots of Mumbai

I used to live on Cecil Road. At the end of Cecil Road was Kitchener Road. Running parallel to Cecil Road, and perpendicular to Kitchener Road, were Fashoda Road and Manila Road.

Every one of these roads is named after a murderer, or where many murders took place.

And each terrace house that sits behind their names, be it full of second year students or people on remand, are an epitaph to evil. And Imperialism. And to Empire that stole a third of the world, then sold it back piecemeal at a charge.

How does this happen? What possible reasons could there be to celebrate such cruelty? Let’s backtrack… let’s look backwards to move forwards, to see the patterns. Let’s understand some history before we compartmentalise modernity.

In 1601 a group of London merchants set sale aboard a fleet of grand old ships called the Hector, Red Dragon, Ascension, Guest, and Susan – bound for the East Indies, a place we now recognise as India and South East Asia. White British men with their eyes on fortune and glory. White British men with privilege – a word you need to remember when talking about Britain’s colonial history.

Their mission was to trade, and their reason was that the Dutch, Portuguese, and French merchants were beating them to it – charging them a high price for goods a new society was beginning to enjoy. And to feel was their right to enjoy, be it gifted by God or the court. But it was trade that galvanised the request to take bullion abroad and exchange it for silks on the road. It was about competition, and greed – two more words to remember.

So, in one decree the East India Trading Company was born – and over the next 400 plus years would use their Amazon approach to the Elizabethan marketplace to end up controlling half the world’s trade.

What began as a royal charter to circumnavigate the prices of spices, silks, coffee, and cotton from mainland Europe, would turn into a centuries spanning race for control of international territories – one that would end in monopoly, slavery, a New World Order, and the backbone of what we purport as ‘democracy’ – after some savvy North American think tanks helped coin a new meaning. And wars. And bloodshed. And all the unspeakable horrors that occur when you believe God isn’t watching.

I know there’s a lot to research here, and I am not an academic man. But we all have a responsibility to ourselves, to learn. To keep learning. Then to pass on truth and knowledge. And as most of us walk around with the world’s largest library in our pockets that’s a pretty good place to start.

But there’s another point of understanding we need to address. Something I need to recognise too, as I become involved in conversations that are long overdue and fundamental to any future that can call itself equal.

There is a thing about being British. And white. And male.

And until the widespread media reports of recent weeks, it’s a word that that is not often acknowledged as it really needs to be. Just like the names of the roads where I used to live.

Privilege.

A hierarchy formed through history and hubris; a position stolen by my forefathers and endorsed by every silent generation that came afterwards, including my own.

I have it. My father has it, as did his father beforehand. It is impossible to be British, male, and white, and not have it. You can deny it all you like; all your heart wants to. But it’s there. We’re born into it. The world around us was built on it, by powerful people who can get away with murder. Who have roads named after them.

I’m not condoning acts of social disorder or violence, but crimes need to be challenged – whether they happened weeks or centuries ago – and their perpetrators need to be seen as the criminals they are.

Maybe some of us need to live in fear for a while too; maybe some of us need to know what that’s like. To be unsure of what the world could do to you without consequence. To walk down a road and not feel safe. To sit in a job interview and know it’s not your experience that’s the problem. To not get served in a bar, or a restaurant. To get heckled from the stands. To get spat on, to get to get punched. To have your last cries for help, for mercy, squeezed from your windpipe by a man with a badge.

And if you don’t believe there’s a balance that needs to be reset, Google each of the names I mentioned at the start of this article – those proud men and moments of history that still pepper UK cities. Whose names are remembered but whose actions we choose to forget. Men with privilege, granted by a world that hid its horror behind their own.

Lord Robert Cecil. Lord Kitchener. The Fashoda ‘incident’. The Battle of Manila.

Murderers and murder, adorned on the roads where I used to live – on street corners near primary schools and pubs. In the edge of our blind eyes every single day.

…and you’re worried about a statue?

Ed King is a Birmingham born writer and author of Snapshots of Mumbai.

For more on Snapshots of Mumbai, published by Review publishing, visit www.reviewpublishing.net/snapshots-of-mumbai

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NEWS: Erdington’s Evening of Creativity returns with its first ‘live show’ since lockdown

Words by Ed King / Pics courtesy of Erdington Arts Forum

On Friday 19th June, the Evening of Creativity will be returning to the OIKOS Café – presenting its first ‘live show’ since the lockdown began.

An eclectic programme of music and art, June’s Evening of Creativity will be a mix of pre-recorded performances from musicians across the city – alongside selected live performances on the OIKOS stage, being streamed through the Erdington Arts Forum Facebook page.

The special Friday night showcase will be the first time the event has been held, in part, at the OIKOS Café since the widespread closures of venues to stem the spread of COVID-19.

Organisers are keen to recreate the live gig experience, using the full venue set up at OIKOS Café – with all the sound, lighting, and staging in place that you would find at one of their regular concerts.

Running from 7:30pm, musicians appearing across the evening will include Clive ‘the slide’ Allsopp – who is taking a break from his role as conductor of the Walsall Symphony Orchestra to play some solo jazz trombone.

Robin Surgeoner will also be performing a live solo acoustic show, playing a set of original music – all penned by the nine time Gold medal winning Paralympian swimmer, who is also a prominent musician, poet, and artist under the pseudonym Angryfish.

There will also be a special cooking segment from the Polish Expats Association (PAE), showing the online audience how to prepare authentic Central and Eastern European dishes – as featured in the Central European Cookbook on the PAE Facebook page.

Performing and hosting the Friday 19th June event will be local poet, Empress P – returning to the Evening of Creativity after her set at the 17th April showcase, the first event held online after the widespread venue closures.

Empress P will also be interviewing local author Ed King – whose new book, Snapshots of Mumbai, is an exploration into the South Asian megacity and the historic relationship between India and Britain. Keen to shine a light on the fingerprints of Imperialism for a modern day audience, Ed King will be discussing his book amidst the recent clarion calls for clarity over Britain’s colonial past.

Having run every month since it was first established in 2017 by the Erdington Arts Forum, the Evening of Creativity events have become a regular fixture in Erdington – hosted at the OIKOS Café on Erdington High Street, until the coronavirus crisis forced it online.

Committed to supporting artists across the constituency, each Evening of Creativity is also a chance to introduce new performers to Erdington – establishing them in front of a vibrant North East Birmingham audience, and vice versa.

But as the lockdown saw music venues close and stages left empty, the Evening of Creativity embraced a new digital audience – one that allowed the local event to reach out even further than before through social media and live streaming.

Now, as the coronavirus crisis is brought more and more under control, with the physical and social distancing restrictions being eased week by week, organisers are keen to nurture this new-found fan base – alongside returning to the live environment that helped establish the event.

“We’ve always been ‘standing room only’ at Oikos,” tells Jobe Baker Sullivan – Evening of Creativity founder and chair of the Erdington Arts Forum, “the live events were well supported and loved by a loyal crowd – every month, without fail, we saw a packed house enjoy music from across Erdington and the country.

“But when the lockdown came and venues closed, we were forced online to keep the event alive – recording performances and posting them onto social media. Initially we didn’t think of this as anything more than a stopgap, but the ability to reach audiences well beyond Erdington has been an unexpected gift.

“So, on Friday 19th June, we are going to bring back the live show – recording part of the event live, back at Oikos, and broadcasting it as it happens. But we’re also keen to nurture our new digital audience too and bring them more into the gig – recreating the live show experience as much as we can for everyone enjoying the Evening of Creativity online.”

To find out more about and Erdington Arts Forum and their regular Evening of Creativity events, and to watch this month’s event at 7:30pm on Friday 19th June, visit www.facebook.com/CAFEartsforum

For more on Oikos Café, visit www.oikoscafe.co.uk